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Voiceless People and Addolorata: Two Plays
Marco Micone's first play, Voiceless People, portrays the exploitation of first-generation Italian immigrants Addolorata focuses...
Love Letters
Love Letters was born from the reexamination of a poet wildly adored in the first...
Lifedream
Four vastly different characters illustrate various ways of life and elements of existence in the...
Naked brilliantly illustrates the theatricalist mode Pirandello invented for dramatizing multiple points of view simultaneously. As characters unwittingly echo each other, we come to see them as aspects of one controlling consciousness, the playwright's. For ultimately, metaphysically, Pirandello's deep subject is the creative process, his characters' as well as his own. An outer, physical world of objective events thus surrounds an inner, subjective one of feelings and perceptions to form an incipient play-within-play - another of Pirandello's legacies to twentieth century theatre. Typically provocative, at once comic and tragic, Pirandello's Naked (Vestire gli ignudi) uncovers the machinery of guilt, deceit,...
Naked

Luigi Pirandello, Nina da Vinci Nichols
2003
Naked
Sarrasine: A Screenplay
The Inventor of the Horse
Smile, you're getting old!
The Divine Sisters
Duo for Obstinate Voices
Manifesto for a New Theatre: Followed by Infabulation