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The Countess Plays
The Countess hides behind caricature to better obtain her ends. But all her moods give...
Love Letters
Love Letters was born from the reexamination of a poet wildly adored in the first...
Writing Cultural Difference: Italian-Canadian Creative and Critical Works
Writing Cultural Difference is a welcome addition to Canadian literary studies. The publication of this...
Camerado & The Trial of Pius XII: Two Plays
Camerado is a play presenting the very dramatic life and compelling thoughts of Walt Whitman,...
Smile, you're getting old!
Surely a woman who chooses a white rat as a pet and calls him Mr....
I Is Another
In this collection of absurdist one-act plays, the characters are all multiple facets of one...
Pasolini published the Manifesto for a New Theatre in Nuovi Argomenti in 1968, while preparing to direct Orgia, another of his six verse tragedies. While betraying his personal dissatisfaction with his own theatre work, the Manifesto mercilessly dissects Italian theatre into two types and exposes the presumption and uselessness of both. Later, in 1968, when his production of Orgia is met with hoots of derision, he will take the blame upon himself, saying: "My fault. I hoped to create a shift by leaping over the rules decreed by mass culture. But to do that, you have to commit yourself...
Manifesto for a New Theatre: Followed by Infabulation

Pier Paolo Pasolini, Thomas Simpson
2008
Manifesto for a New Theatre: Followed by Infabulation
Mazilli's Shoes
Duo for Obstinate Voices
Dog and Crow
Women as Lovers
Sister and Lovers
Beyond the Ruins
Piece Work
Addolorata: théâtre
A Woman of Lemnos
Natural Stories #1
La Fresque de Mussolini
Homeground