Drama

Voiceless People and Addolorata: Two Plays

Marco Micone's first play, Voiceless People, portrays the exploitation of first-generation Italian immigrants Addolorata focuses...

Homeground

Homeground was a finalist in the Drama category for the 1991 Writers Guild of Alberta...

Women as Lovers

Dolores Street and Wine Country are two plays that humorously yet dramatically capture San...

Writing Cultural Difference: Italian-Canadian Creative and Critical Works

Writing Cultural Difference is a welcome addition to Canadian literary studies. The publication of this...

The Countess Plays

The Countess hides behind caricature to better obtain her ends. But all her moods give...

Foreplay: Followed by My Italian Wife

Foreplay, a black comedy in three acts, explores the relationship of an economically well-out but...

The original version of this play, the last part of a trilogy on the theme of immigration, won the Grand Prix du Journal de Montréal in 1989.

Beyond the Ruins

Marco Micone, Jill MacDougall
1995

Manifesto for a New Theatre: Followed by Infabulation

About Guernica

On Monday, April 26th, 1937, the bells of Santa Maria tolled, warning of the inhumane aerial raid that would reduce the Spanish city of Guernica into ruins. Men, women, children and animals were destroyed under the weight of the fiery nationalist bombs...

Submission Guidelines

Please note that Guernica's annual reading period runs from January 1 to April 30. Submissions are only accepted during this period and only as email attachments.