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Beyond the Ruins
The original version of this play, the last part of a trilogy on the theme...
Addolorata: théâtre
Amérique du Sud, rue Jean-Talon, Saint-Léonard, Padre Pio, JOHNNY Christ, Montréal, téléjournal, Pagliacci, Westmount, Roxboro,...
Homeground was a finalist in the Drama category for the 1991 Writers Guild of Alberta...
The Countess Plays
The Countess hides behind caricature to better obtain her ends. But all her moods give...
La Fresque de Mussolini
Mussolini sur son cheval domine la fresque de la voûte dans l'église Notre-Dame-de-la-Défence à Montréal....
Marinetti Dines with the High Command
Marinetti Dines with the High Command is a work that dramatizes the turbulent life and...
Naked brilliantly illustrates the theatricalist mode Pirandello invented for dramatizing multiple points of view simultaneously. As characters unwittingly echo each other, we come to see them as aspects of one controlling consciousness, the playwright's. For ultimately, metaphysically, Pirandello's deep subject is the creative process, his characters' as well as his own. An outer, physical world of objective events thus surrounds an inner, subjective one of feelings and perceptions to form an incipient play-within-play - another of Pirandello's legacies to twentieth century theatre. Typically provocative, at once comic and tragic, Pirandello's Naked (Vestire gli ignudi) uncovers the machinery of guilt, deceit,...

Luigi Pirandello, Nina da Vinci Nichols
Camerado & The Trial of Pius XII: Two Plays
Manifesto for a New Theatre: Followed by Infabulation
The Nativity Scene
Sex Therapy
A Woman of Lemnos
Sarrasine: A Screenplay
Gens du silence
The Divine Sisters
Love Letters
Writing Cultural Difference: Italian-Canadian Creative and Critical Works
The Inventor of the Horse