subscribe
Twitter   Facebook   Google Plus   YouTube
search the site
Smile, you're getting old!
Surely a woman who chooses a white rat as a pet and calls him Mr....
Voiceless People and Addolorata: Two Plays
Marco Micone's first play, Voiceless People, portrays the exploitation of first-generation Italian immigrants Addolorata focuses...
Addolorata: théâtre
Amérique du Sud, rue Jean-Talon, Saint-Léonard, Padre Pio, JOHNNY Christ, Montréal, téléjournal, Pagliacci, Westmount, Roxboro,...
Writing Cultural Difference: Italian-Canadian Creative and Critical Works
Writing Cultural Difference is a welcome addition to Canadian literary studies. The publication of this...
La Fresque de Mussolini
Mussolini sur son cheval domine la fresque de la voûte dans l'église Notre-Dame-de-la-Défence à Montréal....
A Woman of Lemnos
This first English publication of Maria Lampadaridou Pothou's work is a collection of her critically...
The Countess hides behind caricature to better obtain her ends. But all her moods give her a roundness that sometimes shock, amuse, or at times irritate. A cycle of five plays that have been described as ahead of their time.
The Countess Plays

Daniel Sloate
1995
The Countess Plays
The Canadian Duce
Sarrasine: A Screenplay
Homeground
Gens du silence
The Inventor of the Horse
Manifesto for a New Theatre: Followed by Infabulation
The Divine Sisters
Love Letters
Naked
Sex Therapy
Lifedream
Marinetti Dines with the High Command